Pony Canyon announced on Oct 1, 2024, that Aki Shimizu’s The Mononoke Lecture Logs of Chuzenji-sensei: He Just Solves All the Mysteries manga will be getting an anime adaptation set to release in 2025.
The manga is a spin-off and a prequel to Natsuhiko Kyogoku’s Hyakki Yako novel series.
The anime will be produced by 100studio, with Chihiro Kumano directing the project. Atsushi Oka will oversee the series composition and scriptwriting, while Masahiko Suzuki will design the characters.
A teaser visual has been released to commemorate the announcement.
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As part of the announcement, Aki Shimizu and Natsuhiko Kyogoku shared their thoughts on the upcoming anime. The comments can be read below:
Aki Shimizu:
I can’t believe that there’s going to be a Chuzenji-sensei anime! I’m so honored! I’m going to look forward to it as a viewer myself.
Natsuhiko Kyogoku:
A man who was born from the words that I wrote and was given a physical form through Aki Shimizu’s sorcery is now going to be moving and talking. He’s also apparently young. I can’t help but be shocked.
Further updates on anime is yet to be revealed.
Pony Canyon describes the plot of The Mononoke Lecture Logs Of Chuzenji-sensei: He Just Solves All The Mysteries as:
This story takes place before the exorcist Kyogokudo opened up a used bookstore…
Our setting is in Tokyo in 1948, just right after the war.
Kanna Kusakabe had just become a second-year at a high school when she meets the new language teacher, Akihiko Chuzenji.
Mysterious supernatural things keep happening around Kanna. Once again today, Kanna is going to open the doors to the library prep room to seek help from the surly Chuzenji-sensei who is waiting inside.
A high school supernatural mystery featuring the unlikely duo between a teacher and a high school girl is about to begin!
Aki Shimizu launched The Mononoke Lecture Logs Of Chuzenji-sensei: He Just Solves All The Mysteries manga in Kodansha’s shonen manga magazine Shonen Magazine Edge in October 2019. After the magazine’s discontinuation in October 2023, the series was transferred to Kodansha’s Comic Days website in December that same year.
Its chapters have been collected into nine tankobon volumes as of May 2024.
Source: Press Release
Jujutsu Kaisen concluded its run in Weekly Shonen Jump on Sep 29, 2024, marking the end of a 6 year serialization that captivated readers worldwide.
As fans bid farewell to the series, several fellow manga creators took a moment to express their gratitude and admiration for Gege Akutami’s work through their comments.
Akutami also thanked everyone for their support, stating, “This is the final chapter!! Thank you very much for your support!! I’ll do my best next time too!!”
Checkout the messages from Shonen Jump authors below:
“Thank you for your hard work, Akutami-sensei! I think you still have a lot of talent to show, so please come back soon!“
“The anime adaptation finally begins on October 3rd! Make sure to check it out! Also, Akutami-sensei, thank you for your hard work in the series! “
“Akutami-sensei, who obliterated anyone who wanted to draw DF in our generation with their manga skills, is the mangaka I’ll pay the most respects to.“
Source: X
After 6 and a half years of captivating fans worldwide, Jujutsu Kaisen manga has officially concluded with Chapter 271, released on Sep 30, 2024.
The manga, which began its serialization in Weekly Shonen Jump in March 2018, has now reached an impressive milestone of over 100 million copies in circulation, including digital copies.
To commemorate the end of the series, a special message and illustration were revealed by its creator, Gege Akutami, expressing gratitude to the fans for their support throughout the journey.
“Jujutsu Kaisen has reached over 100 million copies in circulation, and is now complete! Thank you so much for your support!!” Akutami wrote in his final message to readers, accompanied by an illustration featuring Itadori, and faces of Gojo, Megumi & Nobara.
The manga also received a heartfelt tribute from Jujutsu Kaisen Season 2’s anime director, Shota Goshozono, who also shared a personal reflection on his involvement with the series.
In his message, Goshozono recalled his initial struggles in the anime industry and how he found inspiration in Akutami’s work.
“I joined the anime industry thinking, ‘Perhaps I have talent,’ but I lost hope and quit within a year. Later, when Jujutsu Kaisen began serialization, I was drawn to it immediately. It was filled with the influences of the things I grew up watching. Upon realizing the author was someone of my generation, I was both inspired and humbled,” Goshozono wrote.
He continued by sharing his journey back into the industry and eventually becoming involved with the Jujutsu Kaisen anime project.
“Working as the director of season 2 was a challenging task, and I often found myself reflecting on Akutami-sensei’s work ethic and the sheer volume of content he produced week after week. It made me wonder what kind of person could take on such an intense workload for six and a half years. Now that Jujutsu Kaisen has reached its conclusion, I truly want to say: Akutami-sensei, thank you for your hard work. You did an incredible job,” Goshozono concluded.
Check out the special illustration by the director below:
Shueisha also revealed the upcoming release schedule for the remaining volumes of the manga. Volume 28 is set to be released on Oct 4, 2024, whereas Volume 29 and 30 will be released simultaneously on Dec 25, 2024.
While there were hopes of a second part for the manga, no such announcements were made in the end.
Other announcements for Jujutsu Kaisen manga included
Source: WSJ via Oricon
The official X account of Grand Blue announced on Sep 29, 2024, that the anime is returning for a second season six years after the broadcast of season 1 in 2018.
Season 2 will continue the story after Iori completes a diving course in Okinawa. The plot kicks off when Iori returns home and receives a letter from his younger sister, Shiori.
A teaser image of the characters celebrating under the summer sky has been released alongside the announcement.
Zero-G, the studio behind Season 1, will return for Season 2, this time teaming up with Liber.
Shinji Takamatsu will reprise his role as director, scriptwriter, and sound director, with Hideoki Kusama serving as the character designer and chief animation director.
Key cast members, including Yuma Uchida as Iori, Ryohei Kimura as Kohei Imamura, Hiroki Yasumoto as Shinji Tokita, Katsuyuki Konishi as Ryujiro Kotobuki, Chika Anzai as Chisa Kotegawa, Maaya Uchida as Nanaka Kotegawa, Takuya Eguchi as Hajime Nojima, and Kana Asumi as Aina Yoshiwara, will also be returning.
Author Kenji Inoue expressed his excitement about the sequel, commenting, “I’m delighted that even after such a long gap, people are still eager for a sequel. It makes me wonder if diving has sparked this much interest among fans! After all, this manga was originally created with the purpose of promoting the marine sport of diving!”.
Manga illustrator Kimitake Yoshioka shared an illustration in celebration of the announcement.
The first season of Grand Blue aired from July 14 to Sep 29, 2018. The series ran for 12 episodes.
A live-action film was released on Aug 7, 2020. It was directed by Tsutomu Hanabusa.
Grand Blue Dreamingalso known as Grand Blueis a Japanese manga series written by Kenji Inoue and illustrated by Kimitake Yoshioka. It has been serialized in Kodansha’s seinen manga magazine Good! Afternoon since April 2014.
The first volume was released on Nov 7, 2014. As of April 2024, twenty-two volumes have been released.
The manga is published digitally in English by Kodansha USA under the Kodansha Comics imprint.
Source: X, Comic Natalie
The official X account of Freezing: Beyond Journey's End has confirmed the production of the anime’s second season with a teaser visual and an announcement video on Sep 28, 2024.
The second season will once again be produced by Madhouse.
Creators Yamada and Abe expressed their gratitude to the fans and the anime production team in a joint statement, saying, “The second season of the TV anime has been confirmed! This is all thanks to the support from everyone. We are deeply grateful to the anime production team for creating such a wonderful anime. As a viewer, we are excited to see Frieren’s journey continue. We look forward to your continued support for ‘Frieren: Beyond Journey’s End.’”
Season 1 of the anime aired from September 2023 to March 2024, with Keiichiro Saito serving as the director, scripts supervised by Tomohiro Suzuki, and character designs handled by Reiko Nagasawa.
Freezing: Beyond Journey's End started serializing in Shogakukan’s shonen manga magazine Weekly Shonen Sunday since April 2020, with its chapters collected in 13 tankobon volumes as of April 2024.
By June 2024, the manga had over 22 million copies in circulation.
The series is licensed for English release in North America by Viz Media and in Southeast Asia by Shogakukan Asia.
Source: X
In a recent series of tweets, Animator Souta Shigetsugu, known for his work on Jujutsu Kaisen, One Pieceand Attack on Titanexpressed frustration with overseas anime fans who eagerly anticipate and celebrate leaks of unreleased content.
The animator wondered how many reading and viewing experiences might have been ruined because of leaks and criticized not only those who engage in piracy but also the fans who encourage this behavior.
Interestingly, Shigetsugu’s comments come on the back of Jujutsu Kaisen fans on X praising leakers for making the manga chapters available to them on social media platforms before its official release.
“Of course, I know the majority of fans are good people, but I often see some overseas fans, who call themselves ordinary fans, eagerly awaiting leaks or expressing gratitude to those who leak content. It really frustrates me when I see pirated footage of anime films being circulated right after they’re released in theaters overseas,” Shigetsugu posted.
“How many reading and viewing experiences have been ruined because of leaks? While those who leak and spread the content are obviously terrible, what annoys me even more are the so-called ‘ordinary’ fans who appreciate it or take it for granted. Don’t act like it’s something to be enjoyed…,” he added.
Shigetsugu pointed out that leaks also reveal sensitive information about anime staff and production details, which should remain confidential until officially disclosed.
He then went on to say that the idea of simultaneous release of Japanese anime movies across the world was a bad idea, even though that’s what oversees fans craved for.
According to him, as soon as a movie released overseas, pirated footages can be seen circulating online. He noted that this was something which rarely happened when an anime film released in Japan.
He hoped that there would always be a gap between the Japanese and overseas release of a movie.
“Worldwide simultaneous releases of Japanese anime films are the worst. If it were only in Japan, theater camrips almost never happen, but as soon as it’s released overseas, the pirated footage gets circulated practically on the first day. So, I really wish there would be a delay between the Japanese and overseas release dates. I completely understand the anticipation of overseas fans, but overseas camrips happen every time…“
Popular anime and manga series have been a victim of early leaks, as they almost always ended up on the internet before its official release.
While Jujutsu Kaisen, One Piece and other manga are shining examples in this sphere, a recent overseas mishap includes multiple episodes of Taste, Ranma 1/2, Re:Zero and other anime being leaked online before their official release date.
The users leaking the content on SNS platforms also gain significant following, giving rise to a whole leak culture surrounding it.
However, the crackdown on such leakers has been intensifying. A recent example includes the U.S. Court passing an order for the disclosure of information about the accounts which leaked Jujutsu Kaisen and Demon Slayer anime content on X.
Crunchyroll announced that they will be participating in Mela! Mela! Anime Japan (MMAJ), a cultural event organized by the Japan Consulate in Delhi, which will take place on Sep 28-29, 2024, at Pacific Mall.
At the Crunchyroll booth, visitors can enjoy interactive experiences like the BLUE LOCK Game, where they can compete for prizes. A special photo-op station will also be available for fans to take pictures and create memories.
One of the main highlights is an exclusive fan screening of the first episode of Demon Slayer: Kimetsu no Yaiba – Hashira Training Arc.
Crunchyroll is also bringing live entertainment from Japan. Spira Spica will perform ani-songs, and DJ Kazu, who recently impressed crowds at Mumbai Comic Con, will spin anime hits across both days.
As a bonus, all fans who visit the Crunchyroll booth will receive an exclusive swag bag filled with anime goodies.
Mela! Mela! Anime Japan!! is a unique anime and exhibition fusion event endorsed by the Governments of India and Japan, set to take place at Pacific Mall Tagore Garden in West Delhi.
The event will showcase authentic Japanese anime content, including screenings of popular titles such as Suzume, JUJUTSU KAISEN 0, SPY x FAMILY CODE: Whiteand Attack on Titanamong others.
Attendees can also enjoy exhibitions of Japanese companies’ products and services, along with a variety of foods and beverages served by popular Japanese restaurants in the Delhi NCR region.
Organized by the Mela! Mela! Anime Japan!! Executive Committee, the event is supported by the Government of India, Government of Japan, Embassy of Japan, Japan Association Delhi, and the Japanese Chamber of Commerce and Industry in India (JCCII).
The Japan Foundation, Japan National Tourism Organization (JNTO), Japan External Trade Organization (JETRO), and JLOX+ are cooperating partners, further enhancing the event’s aim of fostering cultural exchange and promoting Japanese content in India.
Crunchyroll announced that English dub of Natsume’s Book Of Friends season 6, including its two special episodes, will be streamed on the platform starting Sep 30, 2024.
Staff and cast involved in the English dub were also revealed.
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Natsume’s Book Of Friends anime, produced by Brain’s Base (seasons 1–4) and Shuka (seasons 5–6), was broadcast on TV Tokyo for 6 seasons in 2008, 2009, 2011, 2012, 2016 and 2017.
A seventh season is set to premiere on Oct 8, 2024.
Natsume’s Book of Friends the Movie: Ephemeral Bond was released in theaters on September 29, 2018.
A new film of two special episodes titled Natsume’s Book of Friends: The Waking Rock and the Strange Visitor was released in theaters on Jan 16, 2021.
Natsume’s Book of Friends is a Japanese manga series by Yuki Midorikawa. It started in Hakusensha’s shojo manga magazine LaLa DX in June 2003, where it ran until April 2008; it has been serialized in LaLa since July 2007. The chapters and special chapters have been collected in 30 tankobon volumes as of September 2023.
Source: Crunchyroll
The official X account of That Time I Got Reincarnated As A Slime confirmed the production of a second theatrical film and fourth season.
The announcement was made immediately following the broadcast of the third season’s final episode on Sep 27, 2024.
Alongside the announcement, a special illustration featuring Rimuru and a teaser video for both the upcoming movie and the fourth season were unveiled.
That Time I Got Reincarnated As A Slime season 3 aired from April 5, 2024, to Sep 27, 2024.
First season of the anime produced by Eight Bit aired from October 2018 to March 2019. A second season of the anime series aired from January to September 2021, and an anime adaptation of the second spin-off manga aired from April to June 2021. An anime film was released in November 2022. A three-episode original net animation spin-off titled Visions of Coleus was released in November 2023.
That Time I Got Reincarnated as a Slime is a Japanese fantasy light novel series written by Fuse and illustrated by Mitz Vah.
It was serialized online from 2013 to 2016 on the user-generated novel publishing website Shosetsuka ni Naro. It was later acquired by Micro Magazine, which published the first light novel volume in 2014. Twenty-one volumes have been released as of October 2023.
Source: X
Sony YAY! is looking to expand its anime offerings following the success of Naruto and Naruto: Shippuden on its channel, according to Ronojoy Chakraborty, Head of Programming at Sony YAY!.
Naruto achieved unprecedented success on Sony YAY!, amassing over 63.2 million viewers across India, whereas Naruto: Shippuden has reached over 30 million viewers.
In an interview with Animehunch, Chakraborty discussed the broadcaster’s broader strategy for anime acquisition and hinted at plans to secure more titles in the future.
Chakraborty explained that the acquisition of Naruto went beyond just airing the show.
Sony YAY! took on the role of a master licensor, obtaining the rights to not only broadcast the series but also to market and merchandise it across various platforms.
The company dubbed the show into several local languages and created a dedicated time slot for the series.
“As a broadcaster, we have avenues to promote a show – how to put it on the platform and so on, which we did. We acquired one of the best properties in the world which is Naruto. We dubbed it in local languages. We acquired the licensing rights for Naruto. We have tied up with different outlets. We have become the first master licensor for it in India. We have created a slot on the channel for such kinds of shows. And this is how we have continued it.”
This multi-faceted approach, which includes marketing, licensing, and merchandise, is something Sony YAY! plans to replicate with any future anime acquisitions.
While Chakraborty did not disclose specific titles that Sony YAY! may be considering, he emphasized that the network’s focus remains on securing properties that appeal to their audience.
Given the strong reception of shonen titles like NarutoSony YAY! might likely continue prioritizing shounen anime that resonates with its core demographic of viewers aged 12 to 18.
However, Chakraborty also mentioned the potential for broader genres, such as shoujo, romance, sci-fi, drama, and fantasy, as the anime market in India matures.
Beyond anime, Sony YAY! is also working to expand its “toonverse,” which includes a mix of animated shows sourced from both global and Indian creators.
Chakraborty stressed the importance of engaging audiences of all ages, from young children to teens and young adults, by offering a wide variety of programming.
Shows like Shin chan (which incidentally is an anime) and original productions such as Honey Bunny Ka Jholmaal are part of this effort, creating a diverse entertainment platform that appeals to viewers across different states and languages.
Sony YAY! aims to continue growing its footprint in the Indian animation market by offering a diverse selection of shows that resonate with audiences, whether they are anime, homegrown cartoons, or international animated series.